Dan Adlešič | Syntrop
Syntrop is an immersive audio-visual installation dealing with particular notions from the world of physics. These are derived from the phenomenons of order and chaos or rather syntropy and entropy. Adlešič speculatively interprets the robustness of industrial processing of natural resources and the phenomena of syntropy - the tendency of chaos to form a kind of order by implementing different usages of electronic audio-visual tools and exploring their performative potentials. By addressing the different viscosities of relations among geological phenomena and their contemporary exploitation in the Anthropocene, he engages contemplation about nature's date of expiration, the temporary nature of all organic and inorganic systems and the geophysical, geopolitical and cultural crises.
At the confluence of media art and design, Adlešič establishes a syntropic audio-visual environment which engages the viewer at the sensory level in order to encourage contemplating the complexity of relations and the ontological shadows occupying the contemporary era.
Dan Adlešič
Dan Adlešič (1990) is a young Slovenian artist and product designer. He graduated in 2015 at Design Academy Eindhoven in the Contextual Design program with the project Electricity is just like ... WOAH! that was further on presented by Studio Makkink & Bey at the Bi-City Biennale of Urbanism/Architecture in Shenzhen, China and at the Ram Gallery in Rotterdam. In 2016 he presented the project in the form of an exhibition in several galleries across Europe such as the Rossana Orlandi in Milan, the De Witte Dame in Eindhoven, and at the Helsinki Design Museum, and as a performance at the Palais de Tokyo in Paris. That same year he also had a solo show in Kino Šiška, Ljubljana. In 2017 he participated at the Design Biennale BIO25 in Ljubljana for which he created a custom audiovisual installation together with scientist and poet Andrej Detela that was then displayed in the Županova cave.
